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Restoration of archaeological finds and antique artworks.


My name is Noemi Prazsmary, I work as a restorer of antique object and as an artist.
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1 My name is Noemi Prazsmary, I work as a restorer of antique object and as an artist.
Choose from the menu and you can read biography or see some photoes.
The content of the webpage is refreshed fluency.


My restoration works:
• Valuable work of arts - antiquities, original artwork glass, pocelain, ceramic, glazed pottery,
antique Venetian mirror with glass decoration and others antiquities ( wooden frame, rich picture-frame,
objects made of bone (ivory), small metal objects, micro mosaic paneled jewel) or these his combinations -
reconstruction, reintegration (addition), restoration and retouch.
• Archaeological finds, museum objects of clay, ceramic, glazed ceramic, porcelain, glass and bone,
wood and metal objects completion and the restoration.

My restoration works:
• Valuable work of arts - antiquities, original artwork glass, pocelain, ceramic, glazed pottery,
antique Venetian mirror with glass decoration and others antiquities ( wooden frame, rich picture-frame,
objects made of bone (ivory), small metal objects, micro mosaic paneled jewel) or these his combinations -
reconstruction, reintegration (addition), restoration and retouch.
• Archaeological finds, museum objects of clay, ceramic, glazed ceramic, porcelain, glass and bone,
wood and metal objects completion and the restoration.

My restoration works:
• Valuable work of arts - antiquities, original artwork glass, pocelain, ceramic,
glazed pottery, antique Venetian mirror with glass decoration and others antiquities
( wooden frame, rich picture-frame, objects made of bone (ivory), small metal objects,
micro mosaic paneled jewel) or these his combinations - reconstruction,
reintegration (addition), restoration and retouch.
• Archaeological finds, museum objects of clay, ceramic, glazed ceramic,
porcelain, glass and bone, wood and metal objects completion and the restoration.

My restoration works:
• Valuable work of arts - antiquities, original artwork glass, pocelain, ceramic,
glazed pottery, antique Venetian mirror with glass decoration and others antiquities
( wooden frame, rich picture-frame, objects made of bone (ivory), small metal objects,
micro mosaic paneled jewel) or these his combinations - reconstruction,
reintegration (addition), restoration and retouch.
• Archaeological finds, museum objects of clay, ceramic, glazed ceramic,
porcelain, glass and bone, wood and metal objects completion and the restoration.

My restoration works:
• Valuable work of arts - antiquities, original artwork glass,
pocelain, ceramic, glazed pottery, antique Venetian mirror
with glass decoration and others antiquities
( wooden frame, rich picture-frame, objects made of bone
(ivory), small metal objects, micro mosaic paneled jewel)
or these his combinations - reconstruction, reintegration
(addition), restoration and retouch.
• Archaeological finds, museum objects of clay, ceramic,
glazed ceramic, porcelain, glass and bone, wood and
metal objects completion and the restoration.

RESTORING OF ANTIQUE OBJECTS
• VENETIAN MIRROR •


SMALL SIZED, OVAL VENETIAN MIRROR
The small sized mirror the ornaments ( the glass leaves ) elegant "wreath" character the wooden frame is covered with pattern. The glass leaves a part broken incomplete, lost. The coloured glass decoration incomplete. The wooden mirror frame and mirror inserts extremely corroded. During the restoration of the wooden frame conservation, repair, injuries, and silvering as well as to supplement and replacement the glass ornaments necessary.

• Details •

RESTORING OF ANTIQUE OBJECTS
• VENETIAN MIRROR •


SMALL SIZED, OVAL VENETIAN MIRROR
The small sized mirror the ornaments ( the glass leaves ) elegant "wreath" character the wooden frame is covered with pattern. The glass leaves a part broken incomplete, lost. The coloured glass decoration incomplete. The wooden mirror frame and mirror inserts extremely corroded. During the restoration of the wooden frame conservation, repair, injuries, and silvering as well as to supplement and replacement the glass ornaments necessary.

• Details •

RESTORING OF ANTIQUE OBJECTS
• VENETIAN MIRROR •


OCTAGONAL WITH GREEN GLASS ORNAMENTS
The octagonal Venetian mirror identically prepared from cca. beginning of the 1900's. ( The Austro-Hungary empired ) The rest of the decoration of glass lost over the years. The mirror decoration style to replace other "elements" were used so that the mirror bears traces of unprofessional correction so... The Venetian mirror glass ornaments are broken, incomplete, a carved wooden frame and silvering old. The missing ornaments replacement, the wrong ornaments reintegration and restoration.

• Details •

RESTORING OF ANTIQUE OBJECTS
• VENETIAN MIRROR •


OCTAGONAL WITH GREEN GLASS ORNAMENTS
The octagonal Venetian mirror identically prepared from cca. beginning of the 1900's. ( The Austro-Hungary empired ) The rest of the decoration of glass lost over the years. The mirror decoration style to replace other "elements" were used so that the mirror bears traces of unprofessional correction so... The Venetian mirror glass ornaments are broken, incomplete, a carved wooden frame and silvering old. The missing ornaments replacement, the wrong ornaments reintegration and restoration.

• Details •

RESTORING OF ANTIQUE OBJECTS
• VENETIAN MIRROR •


MIRRORS WITH MURANO GLASS BEADS
The elegantly Venetian mirror ( two pieces of mirror -"twins"- identically prepared ) with decorated of pearls (beads), may derive from cca. beginning of the 1900's. The glass ornaments of the Venetian mirror richly decorated. The mirror a carved gilded framework coloured glass pearl (beads) it was decorated. The Venetian mirror glass ornaments are broken, incomplete, a carved wooden frame gilding and silvering old. The strung glass bead decoration broke or are missing. The mirror plate is highly corroded. The missing ornaments replacement, the wrong ornaments reintegration and restoration.

• Details •

RESTORING OF ANTIQUE OBJECTS
• VENETIAN MIRROR •


MIRRORS WITH MURANO GLASS BEADS
The elegantly Venetian mirror ( two pieces of mirror -"twins"- identically prepared ) with decorated of pearls (beads), may derive from cca. beginning of the 1900's. The glass ornaments of the Venetian mirror richly decorated. The mirror a carved gilded framework coloured glass pearl (beads) it was decorated. The Venetian mirror glass ornaments are broken, incomplete, a carved wooden frame gilding and silvering old. The strung glass bead decoration broke or are missing. The mirror plate is highly corroded. The missing ornaments replacement, the wrong ornaments reintegration and restoration.

• Details •

RESTORING OF ANTIQUE OBJECTS
• OTHER OBJECTS •


VINTAGE BOX WITH MICRO MOSAIC INLAY
Authentic bizantyne micromosaic silver box, hand made on silver and spun enamel glass. The BYZANTINE MOSAIC (micromosaic) borns from an artisan technique used since the second half of XVIII century. This technique consists in filling various kinds of settings with spun enamel glass tessera. In that way completely hand made and exclusive items are created. This is a vintage Italian micro mosaic pillbox, snuff or jewellery box. Italians are the best known for this lovely style of art work. It features an oval body with a hinged lid that is set with glass micro mosaic tiles in a floral design in vivid colors. This is a tiny object.! The box was very demaged, more cracks on the top , micro mosaics were missing. It needed to make complete with new micro mosaics and conserved on the top parts.

• Details •

RESTORING OF ANTIQUE OBJECTS
• OTHER OBJECTS •


VINTAGE BOX WITH MICRO MOSAIC INLAY
Authentic bizantyne micromosaic silver box, hand made on silver and spun enamel glass. The BYZANTINE MOSAIC (micromosaic) borns from an artisan technique used since the second half of XVIII century. This technique consists in filling various kinds of settings with spun enamel glass tessera. In that way completely hand made and exclusive items are created. This is a vintage Italian micro mosaic pillbox, snuff or jewellery box. Italians are the best known for this lovely style of art work. It features an oval body with a hinged lid that is set with glass micro mosaic tiles in a floral design in vivid colors. This is a tiny object.! The box was very demaged, more cracks on the top , micro mosaics were missing. It needed to make complete with new micro mosaics and conserved on the top parts.

• Details •

RESTORING OF ANTIQUE OBJECTS
• CERAMIC OBJECTS •


VASE WITH EOSIN TECHNIQUE BY ZSOLNAY
Vilmos Zsolnay, an innovator in the pottery industry during the late 1800s, developed a number of techniques unique to his company's wares. One of his most noteworthy achievements yielded Eosin glaze, first used in 1893. The technique received the name ’eosin’ that comes from the Greek ’eos’ (flush of dawn) probably because the first successful pieces had a light red colour resembling that of the early morning sunshine. This iridescent glaze imparts the decorative qualities of painted porcelain, but allows a much richer use of color consistent with pottery manufacture. Products are still being made at the Zsolnay factory using this exclusive technique, and its luster has inspired collections of both old and new pieces worldwide. Reconstruction, restoration, retouching required.

• Details •

RESTORING OF ANTIQUE OBJECTS
• CERAMIC OBJECTS •


VASE WITH EOSIN TECHNIQUE BY ZSOLNAY
Vilmos Zsolnay, an innovator in the pottery industry during the late 1800s, developed a number of techniques unique to his company's wares. One of his most noteworthy achievements yielded Eosin glaze, first used in 1893. The technique received the name ’eosin’ that comes from the Greek ’eos’ (flush of dawn) probably because the first successful pieces had a light red colour resembling that of the early morning sunshine. This iridescent glaze imparts the decorative qualities of painted porcelain, but allows a much richer use of color consistent with pottery manufacture. Products are still being made at the Zsolnay factory using this exclusive technique, and its luster has inspired collections of both old and new pieces worldwide. Reconstruction, restoration, retouching required.

• Details •

RESTORING OF ANTIQUE OBJECTS
• GLASS OBJECTS •


ENGRAVED GLASS BOTTLE 17TH CENTURY
The mold was blowing, body-column type of bottle 16-17. turn of the century, emerged in the 18th century and became common, as wine-rack bottle, brandy pint-bottle, medicine containers. This special glass container ( bottle ) unornamented and engraving or decorated with enamel paint. The wonderful glass object more cracked on a part, broken, tiny one incomplete and temporary gluing bears his traces.

• Details •

RESTORING OF ANTIQUE OBJECTS
• GLASS OBJECTS •


ENGRAVED GLASS BOTTLE 17TH CENTURY
The mold was blowing, body-column type of bottle 16-17. turn of the century, emerged in the 18th century and became common, as wine-rack bottle, brandy pint-bottle, medicine containers. This special glass container ( bottle ) unornamented and engraving or decorated with enamel paint. The wonderful glass object more cracked on a part, broken, tiny one incomplete and temporary gluing bears his traces.

• Details •

RESTORING OF ANTIQUE OBJECTS
• OTHER OBJECTS •


CANE WITH CARVED MONKEY HEAD
Antique cane ( walking stick )- cca. around 1930. - carved monkey head, a button opening the lower jaw, decoration ivory collar and ears. Reconstructed incorrectly, the monkey head wood carving ears, so the walking stick's original style features have been lost ...

• Details •

RESTORING OF ANTIQUE OBJECTS
• OTHER OBJECTS •


CANE WITH CARVED MONKEY HEAD
Antique cane ( walking stick )- cca. around 1930. - carved monkey head, a button opening the lower jaw, decoration ivory collar and ears. Reconstructed incorrectly, the monkey head wood carving ears, so the walking stick's original style features have been lost ...

• Details •

CONSERVATION OF ARCHAEOLOGICAL FINDS FROM THE PREHISTORIC AGE
• POTTERIES •


PREHISTORIC PAINTED POTTERY POT
Cleaning, selecting, conserving, and reconstruction of pieces, found at excavations in large quantities, in-situ achaeological pottery vessels, putting them together, making missing parts, joining sherds together and filling the gaps, and finalising the restoration of the object, usually for museums and archeological exhibitons.

• Details •

CONSERVATION OF ARCHAEOLOGICAL FINDS FROM THE PREHISTORIC AGE
• POTTERIES •


PREHISTORIC PAINTED POTTERY POT
Cleaning, selecting, conserving, and reconstruction of pieces, found at excavations in large quantities, in-situ achaeological pottery vessels, putting them together, making missing parts, joining sherds together and filling the gaps, and finalising the restoration of the object, usually for museums and archeological exhibitons.

• Details •

CONSERVATION OF ARCHAEOLOGICAL FINDS FROM THE ANTIQUITY
• GLASS OBJECTS •


GLASS BOTTLE FROM THE ROMAN AGE
Cleaning, selecting, conserving, and reconstruction of glass objects, found at excavations, in-situ glass finds, in one or several pieces usually in very bad condition, with carbon depositions on them, choosing conservation procedure, making missing parts and filling the gaps, and finalising the restoration of the object, usually for museums and archeological exhibitons.

• Details •

CONSERVATION OF ARCHAEOLOGICAL FINDS FROM THE ANTIQUITY
• GLASS OBJECTS •


GLASS BOTTLE FROM THE ROMAN AGE
Cleaning, selecting, conserving, and reconstruction of glass objects, found at excavations, in-situ glass finds, in one or several pieces usually in very bad condition, with carbon depositions on them, choosing conservation procedure, making missing parts and filling the gaps, and finalising the restoration of the object, usually for museums and archeological exhibitons.

• Details •

• Undertake:
Restoring, conservation, retouch and reconstruction of special clay, china ceramics and porcelaine pottery, glass antiquities, mirrors with glass and/or micromosaic decoration, Venice-Venetian mirrors (Murano style) and other Murano glass objects antique works of art, sculptures from different historical times and artists, that have been damaged, broken, need cleaning and or completing owned by museums, auctioners, private collections and galleries.

• The recommendation ICCOM increased important in the restoration so: To keep the original technological methods. ( when you make complete archaeological finds or antique objects, it must be deduced and mustn't cover original pieces but must be fit in the original shape although using some methods it can be shown, such as the same material like the original one! ). Accepting these respects, then document the process of the work.

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